Nov
25

Scaramouche! Scaramouche! Are the Muppets back to stay?

Has Disney finally figured out how to deal with the Muppets?

Yesterday, Beg to Differ introduced you to the brilliant new Bohemian Rhapsody parody from the Muppets – but with no brand focused commentary at all. Since then, we’ve realized that the big story here isn’t the video itself (or the others we’ve included below). The big branding story is the Muppet brand itself and its current caretaker: Disney.

kermit_mickey

Keeping your Beakers and Bunsens apart

A Disneyland attraction that people liked, but didn't recognize the characters.

A Disneyland attraction that visitors liked, but the problem: the kids didn't recognize the characters.

When I showed the Bohemian Rhapsody video to my kids – aged 3 and almost 5 – they laughed and laughed and laughed, just as my wife and I had done. Of course, they totally missed the parody, but it was heartening to me that they seemed to love the characters and hooted along with that trademark goofy, over-the-top vaudeville campiness.

But when I asked my 3-year old what he’d liked about it, he said: “Those Wild Things were funny.”

Anaheim, we have a problem.

It’s not like we haven;t done our parental duty by exposing him to the Muppets. This is a kid who has an Animal doll, 50 Sesame Street books, and has sat and watched the Muppets on YouTube, as well as the season 1&2 DVDs with the family. But even he couldn’t identify the “Muppet” brand, and couldn’t recall any names except Kermit and Miss Piggy.

Turns out my son is the market in microcosm (I’m so proud). Kids don’t get the Muppets. And I blame Disney.

Disney’s problem with Muppets

Since acquiring the Muppet brand in 2004 Disney has been widely criticized by fans for under-utilizing the Muppets characters and failing to re-invigorate the brand for a younger generation. For an exhaustive insider background, see Jim Hill’s blog post from 2007.

But in brief, I think this verbiage from the February 2004 press release captures the problem in humourless, corporatese:

The transaction includes all Muppet assets, including the Kermit, Miss Piggy, Fozzie Bear, Gonzo and Animal characters, the Muppet film and television library, and all associated copyrights and trademarks…

Now read that again in your best Rizzo the Rat voice to hear how ugly, inhuman and unintentionally funny it becomes. These are cartoon puppet critters people!

Roadkill? Kermit wondering what the heck he's doing in front of an SUV.
Roadkill? Kermit wondering what the heck he’s doing in front of an SUV.

It’s not easy being green (but it’s worth a try).

And it went downhill from there. Disney efforts have included an aborted attempt to make Kermit more “edgy” for his 5oth birthday in 2005, and a tone-deaf attempt to exploit the lead characters as commercial shills. The Ford Explorer ad shown here is a great example.

Demographic fact: Muppets are loved by nostalgic 30-40 somethings. Frog-leap of logic: Hey! Kermit can sell SUVs!

But through it all, the big problems that were festering under the surface were 1) a failure to generate any significant new Muppets content (or that the new content was bad), 2) erosion of the brand equity of secondary characters, and 3) lack of respect for the real brand qualities that made the Muppets so charming and relevant, and sustain them to this day in the hearts of 4) the brand’s real owners: who are you, me, and hopefully, our kids.

The Muppets of the mind

So that’s why it was so nice to see yesterday’s Bohemian Rhapsody video get hundreds of thousands of hits and quickly become a trending topic on Twitter. It’s also nice to learn that more videos are coming (watch for “Dust in the Wind”, “American Woman”, “Popcorn”, “Carol of the Bells” and “Stand By Me”) and that a new Muppet movie is in the works – among other interesting projects.

But most heartening of all, there’s the tone of the new content – which finally shows signs that Disney actually gets the Muppets. The new stuff is funny, and the characters seem like themselves again. And that’s why I felt like I had to share that video immediately.

To us, the real owners of the brand, the Muppets are about creating a warm space where comedy, pop-culture, kid-culture, and pure unadulterated silliness can come together. The real Muppets in our heads never take themselves too seriously (see the “assets” quote above), and they are also never mean-spirited or even “edgy” (they’re refreshingly nerdy actually – kind of like Queen music).

Oh, and take note: the Muppets in our heads would never sell an SUV, so they won’t help us buy one either.

Welcome back Muppets

But lest we be accused of getting too serious ourselves (we beg to differ!), below are a few more recent YouTube videos featuring some great second-string Muppets.

Bohemian Rhapsody – in case you missed it

Beaker does Ode to Joy:

The Swedish Chef carves a pumpkin:

Sam the Eagle gets patriotic:

Nov
24

Favourite blog posts of 2009: October & November

Part 3 of our series on our favourite posts of 2009″

October and November held a few more pleasant surprises for us here at Beg to Differ – from our Chicken Sandwich series to our first Slideshare cross-over hit, to  a Seussian Twitter phenomena, we continue to be surprised by the enthuisiastic response of our readers – but almosrt never in ways we expect.

Restaurant

What if restaurants charged like creative agencies? The other side

October 9, 2009

The branding business: we haven’t have a lot of posts about this topic area… yet. But we felt we needed to respond to a viral video which lampooned clients for not “getting” the value of the work creative agencies do. After all, it takes two to tango – or quibble over a giant invoice.

More on the biz: when branding, look outside;

Big Fresh

How to name a chicken sandwich: thoughts for branders

October 19, 2009

Brand naming: When KFC launched a new chicken sandwich with a name developed by Brandvelope, we took the opportunity to toot our own horn a bit and talk about the process of naming a brand. And the results: our biggest single day tally of visitors as branders came by for a taste of what we do.

More on names:Sorry Shakespeare: names matter;  brandscape – a chicken or egg?

Fail Plane

American Airlines meets Mr. X – a tragic tale of brand failure

November 9, 2009

“Whole brand” thinking: This short post on the failure of a giant corporation to understand  effective customer engagement in the social media era marked the first time a SlideShare deck  of ours reached 2000 hits – and climbing (in response to a tip from  Alison Gresik).

More on this:Toronto Web site fail; Human in five steps; the perils of too much choice; one immutable law

goat2[1]Green eggs & spam: a Twitter poem

November 19th, 2009

Social media: Funny to talk about this one as a greatest hit – because we wrote it in the middle of the current “faves” series – and it’s really still going with more than 100 RTs to date. Basically, we wondered a) what @SamEyeEm would be like on Twitter, and b) what Dr. Seuss might think about the new “ReTweet” feature on Twitter.

More on this topic: Twiterloo; branding explained in Twitterese; “Social Media” needs a new name.

More in this series:

Oh, and another reminder: please sign up for e-mail updates (on the right) or our RSS feed, so you keep track of our future posts.

Oct
08

Bad branding in orbit: Guy Laliberté soars while his cause brand drops

Guy Laliberté has always had his head among the stars. But all this week, the French-Canadian founder of Cirque du Soleil – and #562 on the Forbes list of wealthiest people – is actually circling the earth as a paid tourist aboard the International Space Station. And true to form, he’s using the opportunity to do a bit of “over-the-top” showmanship. Unfortunately, Laliberté didn’t match his lofty ambitions with the same sophistication, taste, and branding savvy he’s usually shown on Earth. Maybe it’s the lack of oxygen…

Guy in space - 600w

In space, nobody can hear your eyes rolling: Here's Laliberté sitting in the coolest place any human could ever be, with three very lame words on his shirt.

The event: stars will align tomorrow night

Screencap with goreOn Friday, October 9th at 8:00 p.m. (Eastern Standard Time) Laliberté will be hosting a Webcast from space in support of his ONE DROP Foundation.

You can find out more details about the event and performers here.

But in brief, the Webcast will pull together material from 14 cities around the world, and feature contributions from such luminaries as Al Gore, David Suzuki, and Salma Hayek, as well as performances by U2, Shakira, and, wait for it… Guy Laliberté himself performing from the International Space Station.

OD_Logo_Splash[1]

However, much to the disappointment of Cirque fans around the planet, he won’t be stiltwalking, eating fire, or even playing accordion (which, unlike terrestrial billionaires, he can actually do).

He’ll be reading poetry.

And you thought there was no gravity in space!

Before we get too critical, let it be known we think the cause he’s supporting is a great one.

This is what the event Web site says about the purpose of his mission (and we’ll ignore the clunky copy writing for the moment):

Laliberté’s mission in space is dedicated to making an impact on how water, our most precious resource, is protected and shared. And he will be applying tools he has used so well for most of his life to bring about change: arts and culture.

Information about our world’s water-related issues will be conveyed using a singular poetic approach. The messages he will transmit from the ISS will build awareness for ONE DROP Foundation initiatives, its objectives and dream of “Water for all, all for water.”

Good on you Guy, for using your media exposure for a good cause. We at Beg to Differ envy and admire your incredible  chutzpah for reaching so high in pulling all this together.

But sad to say, there’s a “leak in the capsule” on this one.

See if you can find the problem in the image below:

Guy_About_Mission_en

Hint: the problem here ain't the smiling bald guy - or maybe it is...

Houston (Montreal, Moscow, etc.), we have a problem:

One of the dumbest, most pretentious names ever.

And the event’s subtitle doesn’t help: “Moving Stars and Earth for Water”.

Sorry Guy. It’s awkward in English. It’s pointless in French. It’s self-defeating as a brand strategy. And it’s totally counter to the taste and sophistication you’ve always applied to Cirque.

And worst of all, it focuses away from the parts of your mission that are really cool and worthy of attention:

  • Clean Water for earth! The wonder of space travel! A circus guy in space!

Instead it focuses on the lame (and painfully self-indulgent) parts of the picture:

  • Poetry reading! That mushy word “social”! Our sneaking suspicion that this may have more to do with your ego than water!

So Guy, next time you go to space, call me okay?

A branding expert could help you figure this stuff out before you blow millions of dollars making it all look like one big vanity project … or maybe at least help you make it look less like one.

One easy approach I would have suggested would be to call this whole project the “ONE DROP Clean Water for Earth Mission” and focused all your energies on building that one brand.

But that’s just one way we could have approached this. So seriously Guy. Call me next time. You can reach me here.

Bonus: Guy Laliberté video-blogs from space

Sep
23

Mortal peril: the unholy temptation of descriptive names

My family and I walk by this tiny church on our way to the grocery store all the time. And while I’d always noticed the odd architecture of the place, it was only recently that I took a second look and was struck by the name.

Cathedral2

Big promise + tiny package = big let-down

Now I know that a “cathedral” is technically where the bishop has his headquarters, so in the case of a little splinter denomination like this, this really is their cathedral. But for the neighbours, calling this a “cathedral” stretches the bounds of credibility. As a matter of fact, in referring to this building, I’d never use the term “cathedral” unless I wanted to make someone laugh. Cathedrals are massive, ornate, and architecturally significant features in a cityscape; this is just a little local church on a quiet side street.

But that’s just an example where the descriptive name doesn’t fit…

Why would you choose a descriptive name?

On the plus side, when such a name really does describe your product, you can expend less effort explaining it. So if your company is called “International Ball Bearings” and your competitors are “MMT Inc.” and “ACME Inc.” and your target happens to be in the market for ball bearings, you have a quick leg up on the others, even if they make the same product.

A descriptive name can also convey corporate seriousness and solidity. A company named “American Apparel” will have to go a long way to damage that respectable first impression: although give them credit for trying.

The downside

The problem is: what if all three companies mentioned above also made carriage bolts, and that’s what a customer was looking for? They’d probably assume International Ball Bearings wasn’t for them, right? So while a descriptive name communicates more information faster, it’s also much less flexible. You can’t sell toothpaste if your name is Canada Shipping Lines.

“Purely descriptive” is also a bad word in Trademark law, as it essentially means “cannot be protected”.

But there’s a time and a place for descriptiveness

In my naming work, I have often recommended descriptive names: Canada Business for example as a name for a government service for business. Descriptive product names are also appropriate for companies using a corporate  ”master brand” model. Recently, Bell very wisely dumped its Sympatico and ExpressVU names in favour of “Bell Internet” and “Bell TV”. And the world breathed a sigh of relief.

The trick as always, is balance. So how do you achieve this? The easy answer is hire Brandvelope Consulting. But whatever you do, look at the brand in its complete context, and particularly how it fits into the bigger “brandscape” that your customers are facing.