Positioning Archives - Page 5 of 5

Nutella: accidental brand or cult sensation?

A Twitter conversation last night instigated by Olivier Blanchard and carried on ad nauseum elsewhere, sales reminded me of a long-time guilty pleasure: Nutella. Just typing the word makes me salivate – and I have to restrain myself from running upstairs to slather some of that rich hazelnutty goodness on melba toast. And apparently I’m not alone: in additon to Twitter fetishists, Nutella has 3.5 million fans on Facebook.

So why all the nuts?

Dutch Hagelslag: The chocolate-on-bread option I grew up with.

I didn’t grow up with Nutella. As a Dutch-Canadian kid, if we wanted chocolate on bread, by golly, we just put chocolate on bread. “Hagelslag” (pronounce the g as if you are lightly hacking up a small furball) or “chocolate hail” or just “sprinkles” were always available at my Oma’s house. My first Nutella purchase came as a student, when my room-mate had to have it in the house, and I in turn have had my own jar on the shelf ever since. And now, although we don’t let the kids have it (far too precious), my pregnant wife is currently making sure we stay stocked up.

But I wasn’t conscious of where it comes from (Italy), or its fascinating history, which Wikipedia has done a much better job of than I could manage in a blog post. Basically, it comes from a war-time innovation by Pietro Ferrero to produce a cheaper alternative to chocolate using cocoa and the hazelnuts that were plentiful in that region. Nutella in its present form emerged in 1964, with 179,000 tons produced in Italy every year.

Building a fan base

But I can’t remember seing an ad for Nutella, and can’t recall a single in-store promotion or Point-of Purchase display. It was always just there on the shelf alongside the Peanut Butter, calling “Dennis! DEEEENNNNISS!”. <more saliva> But I digress.

Apparently Ferrero does do some advertising – particularly in Europe, as in this nicely toned French ad that promises that Nutella will give you the energy of a child. But according to this site, Ferrerro USA only spent $300,000 on advertising in 2008.

It’s interesting that the positioning is built around “energy” and “youthfulness” rather than being explicitly “healthy”. In Canada, Nutella labels feature a boy kicking a soccer ball to highlight their support for amateur soccer, while in Italy, the connection with futbol was made even clearer in one commemorative package (right).

But in the UK, the “energy” positioning has gotten Nutella into hot water as misleading for a product that contains so much sugar and fat (thanks to @kaitli for the tip!).

The secret to Nutella’s long term success seems to be consistency, living up to the promise by just being there, and by the affectionate devotion of its fans who carry a craving for that taste well into their adult lives. And not just consumption, but even geeky fixation.

Just do a quick YouTube search on Nutella, and you’ll find hundreds of fans geeking out on all aspects of the product. Check out this clip from a German television show that compares the consistency of French Nutella with German Nutella in agonizing (and entertaining) detail. But note that when they actually call Ferrero in this clip, the brand-er doesn’t do much to help the geeks in question with their free advertising.

So the question for you DIFFER brand geeks: what should Ferrero be doing to capitalize on all these nuts who obviously want to help them spread the love? Social Media campaigns? More traditional media advertising? Just staying out of the way? Looking for your comments as always.

I’m so mad at Switzerland!

A Rant about Canadian Brands for Canada Day 2009

So you ask: “Mad at Switzerland? What could anyone possibly have against the Swiss” – those lovely Alp-ine purveyors of Rolex watches, visit this Nestle chocolate, and fastidiously discreet banking services? Sorry Switzerland. It’s not about you. It’s about you beating the pants off Canada in the global branding arena.

And to be fair, in the rant video attached you’ll note that I have equal opportunity anger issues against Sweden, Finland, and even my own ancestral homeland the Netherlands. And as you’ll see, it’s all because of their brands. Each of these countries punches far above their weight in the contest for the global brand belt. As you’ll see in the stats below, these countries even beat the heavyweight in the ring – the USA – when you take their population into account.

So why the anger?

Okay, I’m a Canadian. I’m not actually angry per se: just hurt, frustrated, envious, mildly apologetic, etc.

Actually, I want Canadian brand managers to stand up and take notice. We need to get more internationally respected / recognized brands. In this deck on SlideShare, you’ll find some supporting data (from Interbrand / Business Week) and my challenge to Canadian Brand Managers.

Go Canada!

Why I’m Mad At Switzerland – Rant about Canadian Brands for July 2009

View more documents from Dennis Van staalduinen.

What Canadian brands are Global candidates?

Fortunately, the good folks at Interbrand also published a helpful guide in 2008 for that as well.

Interbrand report on Canadian Brands.

The top ten

Blackberry
RBC
TD Canada Trust
Shopper’s Drug Mart
Petro Canada
Manulife
Bell
Scotiabank
Canadian Tire
Tim Horton’s

No, Twitter brand: what are YOU doing?

Okay, dosage confession time. As an emerging Twitter devotee, page (@denvan) I’ve been “drinking the Kool-Aid” of the Twitter brand for too long to really be objective about their brand strategy. I’m a tribe member now, viagra 100mg and I’ve learned the buzzwords, tools, and idiosyncrasies of this social media monster. But as a brand strategy geek, I also hear rumblings of trouble in the Twitterverse that I can’t ignore…

As I encounter more and more fellow “tweeps” (a word about insider language later) and have the same old “what the heck is Twitter GOOD for” conversation, the more I begin to wonder about different aspects of the Twitter brand package – are the elements holding together? Do they make sense? Could this be why we learned yesterday that Twitter’s growth is flat-lining and more than 50% of Twitter accounts are dead? Perhaps.

But let’s start with the good stuff.

What I love about Twitter Branding:

Basically, the thing I like about Twitter is the thing that may kill it in the end: it’s rough around the edges.

Twitter gained my instant affection by making absolutely NO attempt to be slick or professional – in design, messaging, or corporate positioning. The graphics are simple and inviting in a cartoonish-but-zen-elegant way that gives the site class tempered with a sense of humour. Nothing arty farty-highbrow or in-your-face revolutionary here.

Scroll down to the bottom of any twitter.com page and click on About Us and you get the feeling that this thing started in somebody’s garage in 2006, and that they’re hoping to stay there. The main login page is a study in simplicity with only 183 characters in the main body copy (note to Twitter: I could help you get this down to 140. I’m getting REALLY good at that!).

“Twitter is a service for friends, family, and co–workers to communicate and stay connected through the exchange of quick, frequent answers to one simple question: What are you doing?”

Aw shucks. Ain’t that nice?

The whole brand package seems to promise new users a few key things: 1) small (i.e. unintimidating – easy to grasp), 2) fun (breezy tone, quick hits of cool content perhaps) 3) free (not going to take my credit card and sucker-punch me later with weirdo fees), 4) easy (get started – and hooked – fast), 5) social (geared toward social, not “serious” conversations)… and 6) disposable (geard toward a quick pay-off for a small amount of effort).

Which brings us to the potential dark side (spoiler alert: the light sabers are about to change colour!).

The potential problem(s) with Twitter Branding

The problem with sustaining this promise can be expressed in one word: Oprah. Okay, maybe two: Oprah and Ashton Kutcher. All right, three: Oprah, Ashton, and the coming of Summer patio season to the Northern Hemisphere (now THAT’s a social network!!). The first two are problems of scale, that is, reasons for rapid viral growth, while the third is one of the non-brand factors that should lead any sane person to want to get away from the computer or Blackberry (he writes at 5:01 p.m. on a gorgeous Friday evening).

The big question for the Twitter brand is this: can it scale to meet the hype?

In early 2009, Twitter went from cool-kid buzzword to mass market sensation with over 5 million additional new visitors in March – up from 4.3M in February to 9.3M in March. And the growth continued strong into April with the addition of the Great One (Oprah not Gretzky) and the 1 Millionth follower for Kutcher – with the attendant .

And the pressures are only increasing with big serious events like the election in Iran and the attacks in Mumbai, and the pundits trumpeting the game-changing nature of the medium.

And with all that hype, came… a great big collective “HUH?!?” from the new users attracted to the platform.

Because, you see, the Twitter brand is havign trouble emerging from the basement it dug for itself. Its initial brand promises are being met with the problems of massive growth:

Promises Twitter might be breaking

1. Small: sorry Twitter. MILLIONS of users. Repeat that. MILLIONS.

2. Fun: despite the breezy graphics and light tone, Twitter is not fun until you connect with at least one other active human. But for the average newbie, Twitter.com doesn’t do a very good job of helping you understand how to make that first connection (or whay
you’d want to)…

3. Free: for now, but with the weight of so much stuff comes the time cost that mid-market adopters are more likely to factor into the equation. Business users in particular are skeptical that this isn’t just another time-waster for employees, and Twitter doesn’t help itself – starting with the name “Twitter” which is incredibly catchy and viral, but also implies empty, and possibly annoying background chatter.

4. Easy: I like and compulsively use Twitter, but even I barely ever use Twitter.com. TweetDeck and other tools are absolute necessities for anyone serious about the medium. Twitter itself may be Open API-ing itself into obsolescence unless it starts taking the user experience – and more to the point – the IMPRESSION of control that a new user needs – more seriously.

5. Social: This and all the other examples on the site imply that Twitter is just for F2F (Friend-To-Friend) communications. Sample value messages are about delving into the trivial parts of people’s lives, which, as most people find pretty quickly, is not the main content that forms the bulk of Twitter traffic. I’m finding that the most successful Tweeters mix maybe 10-20% personal with maybe 60-70% subject matter expertise and useful cross references, and the rest being current events, trivia, etc. Twitter has outgrown “What are you doing” and has crossed into the realm of “Why are we doing what we’re doing?” and “What does it mean to me?”

6. Disposable: here’s the crux of it for me. By playing up “fun” “easy” and “social” aspects, Twitter’s current brand strategy is focused on “fast-twitch” brand drivers, and missing the most important aspect of the Twitter service: that it takes time, effort, and commitment to really get anything out of the medium. New users see the firehose coming at them, and it’s no surprise they’d be tempted to go elsewhere for a drink.

So how does Twitter tune its brand package to 1) help the newbies get it and get involved, 2) make the case about the serious work values the medium can fulfill, without 3) losing the core values and emotional ties that made the brand attractive in the first place?

Or is it all just a deeper level of brilliance than this poor brand geek can grasp – after all, they’ve got the millions of devoted (and not-so-devoted) users, so something must be working.

That’s a question I throw back to you dear reader. Comment away.

Brand Brief: Trident loses intensity

Trident “Less Intense” – both a sign of changing times and a spectacular positioning error.

The Trident "More Flavour / Less Intense" positioning statement - along with the "Intense" tag used by competitor Dentyne.

All right brand geeks, viagra 60mg have a go at this one.

As a life-long gum addict, doctor (full disclosure – Excel is my brand) I’m always interested in the contortions gum-makers go to to get my attention in a crowded brandfield. But this one really jumped out as both a sign of changing times and a spectacular positioning error.

Changing Times:

It seems like the “Extreme” superlatives and the “Intense” flavour / fashion / lifestyle experiences pushed by advertisers in the mid 00’s are pulling back a bit under the weight of recession. I remeber being stumped a bit why my anti-perspirant Degree started pushing new scents like “EXTREME BLAST” a few years back — which seems to me to be the LAST thing you want eminating from your armpits…

But increasingly, the consumer branding pitch seems to be less about trying new things and getting back to fundamentals. Witness the sheepish positioning line “Less Intense”.

Positioning Errors:

1) Apologetic Subtext: Sorry everybody, we didn’t mean to offend you with our intense taste for the last few decades…

2) Confusing juxtaposition: of “Now more flavour…” and “LESS INTENSE!!!!!!!!” (puncuation added) Huh?!?! I’m a bit slow on my flavour-industry jargon, but isn’t that a bit like saying about a new painting “It’s more beautiful, BUT YOU WON’T BE OVERWHELMED BY THAT ANNNOYING BEAUTY LIKE BEFORE!!!!!!”

Okay, I’m done. Any thoughts? Join the converstation!