Over the next weeks, viagra 40mg Beg to Differ will be presenting some examples of brand names that are just bad – for a number of reasons. Today’s example is something we spotted over the weekend…
The Hav-A-Nap Motel
This bad brand – which, sales yes, view also has a web site – is one that a friend pointed out to me in the Eastern part of metro Toronto, and it’s a classic. It’s one of those unintentional landmarks that everyone seems to know about (but no one will admit being a customer of).
And actually, while I usually criticize brand names that are un-helpful, this bad name is actually a customer service because it’s so bad. That is, because the name is so tone-deaf and slimy sounding, most respectable consumers will know better than to stay there.
This review from an Italian visitor on Trip Advisor pretty well sums up the experience I’d expect to have from any motel called the “Hav A Nap”:
Sorry for my english… It was a very terrible experience… the room was very dirty, the bedsheets were full of spots (I think there were spots of previous sexual performances…), the bedcover had holes by cigarette… I left my cup of coffee in the room and when I came back I have found also mouse’s excrements… It was very very cheap, but I slept all dressed because of the disgust…
Funny, but when you don’t have enough energy to spell “HAVE” correctly, it’s not surprising that you don’t sweat little details like laundry, customer satisfaction, or human health for that matter.
Enough said.
I’d love to get more of your favourite bad brand names, so please leave them in the comments!
Just when you think the god-like product development powers of Steve Jobs couldn’t go any further, shop he launches a product that creates life itself. Let the hyperbole begin!
Behold: the ChiaPad.
“I really cannot say enough about this latest miraculous, viagra life-affirming, intuitive, and super, super green device, so I will continue to say it for the next 3 .5 hours.”
Steve Jobs at the ChiaPad unveiling
The new device is a joint project between Apple and Joseph products – makers of the classic Clapper and Chia technologies.
The shell of the device looks like an iPad made of fired clay. But that’s where the similarity ends, because inside, the operating system is pure Chia.
Says Jobs: “You just add water and watch your content grow! It’s that easy.”
Apple officials were quick to dismiss as “fuzzy headed” the critics who have called the device a “closed ecosystem” that can only grow plants approved and sold by Apple.
And they also insist that while the ChiaPad might seem similar to several other devices on the market, the red clay is actually terracotta, and definitely not adobe.
“This changes everything you thought you knew about touch-sensitive herbal neo novelty technology,” says Jobs in the Webcast of the launch.
His demo was of course greeted with rapturous self-flagellation by Apple fans worldwide and long lineups at Apple stores, even though the product does not actually ship for several months.
Other features:
Herbal, organic and fully biodegradable.
Rain tolerant for true cloud computing.
Familiar interface for millions of iSod users.
Clap on. Clap off.
Thousands of apps available like Herb 2007 office suite, iMow, and Farmville – Monoculture Edition.
Battery cannot be removed, and don’t even mention Flash.
If you order NOW, we’ll throw in a second ChiaPad at no extra charge along with Ginsu Knives, a new ChiaPhone (data plan not included), and a Chia Head Steve Jobs (right).
An experiment in “un-branding” to promote community health
Beg to Differ noticed this morning that Australia is planning to ban all logos and distinctive design elements from cigarette packaging. The point: to make them less attractive to smokers. The question: will it work?
Generic packaging
According to the UK Daily Mail, viagra sale quoting the Australian newspaper:
The new laws, purchase to be introduced in January 2012, will prohibit the use of tobacco industry logos, colours, brand imagery or promotional text on the packets. Brand names and product names will have to be displayed in a standard colour, font style and position under the new laws, says the paper.
And why? Here’s what one Australian researcher says:
Documents show that, especially in the context of tighter restrictions on conventional avenues for tobacco marketing, tobacco companies view cigarette packaging as an integral component of marketing strategy and a vehicle for (a) creating significant in-store presence at the point of purchase, and (b) communicating brand image. Market testing results indicate that such imagery is so strong as to influence smoker’s taste ratings of the same cigarettes when packaged differently. (2002 research review by Australian Anti-Cancer Council)
That’s all true. But is there any evidence that removing visible branding will reduce the sales of cigarettes?
Those of us in the branding industry would like to think so. After all, we tell clients all the time that consistently applying and reinforcing your brand elements (logos, names, messages, design motifs) over time will increase your sales. So shouldn’t the opposite be true?
I hope so – and not just as a branding guy, but as a human being who seen friends and family members struggle with cancer.
But don’t forget about filters!
We’re not talking about cigarette filters – although, ironically, the fact that they don’t work is one of the issues at play here. It’s HUMAN filters that are the biggest reason this effort may not perform as advertised.
“Filter Factors” to consider:
The habit filter: physical addiction is powerful stuff.
The social filter: but smoking is more than just a commercial or health phenomenon; it’s a cultural – or more to the point – counter cultural act. The more you crack down, the “cooler” it becomes in hard-core smoking circles.
The brand filter: the name is still a brand – and if that’s the only differentiator on the box, that’s what consumers will look for / form relationships with.
The “quest” filter: by making something hard to get or find, you can actually increase people’s desire for it, or at least the “tribal” cachet of having it. The Gold Visa or the Costco card in your wallet are great examples. Why do you pay for them? Because you have to.
So what do you think?
Is “un-branding” a socially undesirable product a good way to discourage people from using it? We want to hear from you!
“I’m a slightly mad aristocrat and I’m okay with that”
In this Beg to Differ: a shocking personal revelation from the Big Differ, view who wonders if “Personal Branding” is too narrow to capture the range of authentic, and but playful, roles we play in our professional lives.
Confession: I’m leading a double life
Yes it’s true. By day, I am indeed the mild mannered head of my brand strategy consulting company and the less-than-faithful blogger whose words you are reading right now (among other things).
By night, I am a slightly mad member of the British aristocracy – and I’m okay with that. I’m a Lord, a commander of troops, master of the Tower of London. I oversee torture, beheadings, and a castle-full of sopranos. I find wives for dying men, support jesters on unicycles, drag rivers, and make sure Beefeaters stay off the bottle.
Tough jobs all – and difficult to sum up on a resume.
Multiple personalities? Nope. Just one big ham.
As you’ve probably guessed by now, I’m either a) delusional, b) addicted to role-playing video games, or c) an amateur actor and singer. Although my wife might wish for an “all of the above” option, the answer is c).
Over the years, I’ve been lucky enough to land some fun roles with a couple of great local musical theatre and operetta companies. And on April 21, I’ll be hitting the stage again with a small lead in Yeomen of the Guard (see the promo video below for details).
It’s fun; it challenges me; I get to make an audience laugh (hopefully).
And in this role, I will try to be true to the character I am playing – to the playwright and director’s vision, to my fellow actors, to the audience.
But is “actor” my “personal brand”?
Um, kind of? It’s a role I sometimes play that lets me play other roles.
Yesterday, in a Twitter chat, the topic of “personal branding” came up again. And as always, somebody threw out the line that “personal brands need to be authentic!”
But if you accept that there can be such a thing as a “personal brand” (which I don’t) this idea of “authenticity” comes to mean the same thing as “personal integrity” which implies “you must always play the same role, because your brand is who you are”.
A brand is not a person, and it’s not personal
This is true for corporate brands, professional reputations, and it’s true for the roles we play in everyday life. Being an “authentic” dad is very different from being an “authentic” consultant, or being honest as an actor.
In Social Media we play many roles depending on the app we’re in or the nature of the conversation. Even within this blog, I’ve played different roles: advisor , critic, jilted lover, and poet. And I’d like to think I was authentic in every case.
In the corporate and product realm, one company can support many brands with different “authentic” personalities. Procter & Gamble can “be” Mr. Clean, Dolce & Gabbana, and Pampers to different customers – as long as each brand is “authentic” within its own brand role and, most importantly, within the expectations they build for each customer.
The play’s the thing
A brand is a role you play for a group of customers.
“Play” is an important word here – branding is a game with rules, boundaries, and expected codes of behaviour, so yes, play with integrity and consistency.
But once you’ve established those boundaries, there’s incredible latitude for growth and creative movement.
When you’re on the field, be true to the game. But learn to keep the game on the field.
In your professional life, keep your “brand(s)” at arm’s-length from your “self”. Your customers will be happier, and you’ll be more helpful.
The true job of “packaging” (hint: it’s not just to wrap stuff)
Beg to Differ is focusing on a great blog post today by Seth Godin which asks a question we all need to ask ourselves: “does your packaging do its job”? But of course when Beg to Differ (and Seth) thinks about “packaging” we don’t mean a disposable wrapper…
Mmm. The Land of Chocolate.
Okay, symptoms I don’t always agree with Seth. Actually I almost never agree with him when he talks about product naming (Squidoo?!?) or brand architecture (Apple’s iMac / iPod / iPhone convention sloppy?!?). But today he’s dead on in his assessment of the packaging for the chocolate product above, from the company Madécasse (pronounced mah – DAY – cas).
Now, you may look at it and say to yourself: hey! That’s not bad. It’s actually really well designed. And you’d be right: it’s a simple, elegant design that looks like craft-made – and probably expensive – chocolate. And again. You’d be right. You’d also be right if you noticed the effective use of repeated elements across the packaging, the solid little icon, and the nice differentiating touch of the little ribbon tied at the top.
You might also guess that this is fair trade chocolate. And again, you are a smart reader.
All very nice. All very professional. Yay.
So what’s wrong with a nicely-designed package?
Nothing wrong. That is, there’s nothing wrong *if* the design also helps customers to find you quickly in a store full of high end chocolate bars – which is where these bars would be most likely to be sitting.
Nothing wrong. If your attractive design doesn’t actually act like camouflage – hiding you from their eyes.
Nothing wrong. If your design doesn’t also hide the fact that your product has a very different story (Madagascar chocolate! Made in Africa by Africans!) that could create an emotional bond – if only people could see through the wrapper to you.
Nothing wrong. If you listen to Seth for a moment:
I don’t think the job of packaging is to please your boss. I think you must please the retailer, but most of all, attract and delight and sell to the browsing, uncommitted new customer. – Seth Godin
How about you?
When you think about all the “packaging” around your product, service, or person-brand, are you just following the “nice design” conventions? If so, your package may be actually hiding you from your customers.
Instead, think about how the outer packaging acts as a transparent window to the really important differentiators that for the heart and soul of your product.
And like Seth did, I’ll end by wishing you a happy Valentine’s Day. Why not celebrate by sharing a fair trade chocolate bar with someone you love? Even if it’s not well-packaged and clearly differentiated (yet), it’ll make you feel great!