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Beg to Differ

A brand strategy blog - by DenVan

A new brand for word geeks – it’s Wordnik.com

June 23, 2009 // Dennis Van Staalduinen Leave a Comment

It’s very seldom I come across a new tool on the Web that jumps straight to the top of my bookmark lists, discount but it happened this morning. I got a tip from Charles Hodgson’s latest post on podicitonary.com on a funky new site called Wordnik.com that had my fast-twitch bookmarking reflexes firing almost instantly. wordnik

How does it DIFFER?

What’s so impressive, drug and how is it better than – or at least different from – any of the excellent reference tools out there? UrbanDictionary.com for example has become an indispensible reference for new slang and jargon. Don’t know what a “beauty booger” is? You’re in luck!

But in particular, how does wordnik compare to the granddaddy of them all: Dictionary.com? I have to admit that as a long-time word nerd (Scrabble, reading the OED for fun, the whole works) and professional brand namer, I’m a big fan of Dictionary.com. It has evolved over the past few years from providing a single set of standard dictionary definitions to providing a huge laundry list of definitions from a cross section different dictionaries, including specialized financial and medical searches, as well as etymology, suggested related searches, and cross references to encyclopedia and thesauri.

Oh and advertising. Loads and loads of advertising. Just scroll down through this definition of the word “brand” to see how exhaustive and exhausting this approach can become. So what could be missing? Well, the simplicity and focus of the early days for one. But more importantly, with this “stream of noise” approach, what gets lost is context – a sense of how the word works in the real world.

That’s where Wordnik comes in.

Screenshot of the wordnik results I got for the word "brand"
Screenshot of the wordnik results I got for the word "brand"

Check out this search on the word “brand” and compare it to the Dictionary.com approach. The first thing you’ll notice is the clean layout, with everything in clearly marked containers. You’ll also see that the first item is not the definition, but examples of the word in the context of an actual sentence. And quite often from unconventional sources like Twitter.

Wordnik claims to have a growing database of more than 130 million examples to go with its 1.7 million words. This actually gets closer to one intent of the first, and still one of the easiest to read dictionaries, Samuel Johnson’s 1755 A Dictionary of the English Language which promises: “a faithful record of the language people used”.

Check out the Wordnik approach to the phrase “beauty booger” – which doesn’t have a formal definition, and which sends Dictionary.com into a fishtail. But which Wordnik allows you to piece together from Twitter usage.

Or try Wordnik for the word fishtail. You’ll see that they also search Flickr tags, and a quick scan shows me that the term “fishtail” can refer to a kind of braided ponytail, something motorcycle-related, and the name of a peak in Nepal – none of which appear at Dictionary.com.

Where Wordnik needs work.

Okay, it ain’t perfect. That’s why they’ve stamped “Beta” all over it – or as they put it in their welcome e-mail “Because we are still in beta, there are almost certainly hiccups and other infelicities.”  In particular, the dictionary definitions themselve quite often fall flat in capturing the whole range of senses for a word.

For example, when you search “branding” the only definition that comes up is “the act of stigmatizing” – which totally misses the sense of the term that I’ve built my business on. On the plus side, there is a bit of Wiki-ness to the Wordnik site, so even if I wasn’t able to add a definition myself, I was able to submit the following comment:

What’s missing here is the modern business sense of branding, which I define as “the process of organizing a company’s products, messages, and corporate identity to help consumers understand who they are and what they do.”

Will this help? Hard to say. It will depend on whether a real human on the other side sees it and does soemthing about it (which is going to be a lot harder when more than 23 people have looked up the word). I’d love to see an open wiki environment moderated by fellow wordgeeks, but that requires a critical mass of users to filter out the type of self-serving editing that I’d love to do on the “branding” entry.

A quick word on the name and logo

Very quick actually: great. Nicely understated on both. It will be interesting to see if the noun-weighted name ever becomes a verb like “Google” – as in ” Wait a moment while I Wordnik that”. Or to use the Twitter / Tweet model: “let me Wordneek that.” Or perhaps I overstretch my point (for the first time ever).

So to sum up: Wordnik is cool for word nerds, and very useful for us in our branding work. With some more tuning and opening the door to deeper user contributions, it could become a killer app for everyone else too.

Filed Under: Analysis & review, Brand Names, Innovation, Message & Positioning, Online brands, Social Media Tagged With: brand, dictionary, online, podictionary, reference, Wordnik

No, Twitter brand: what are YOU doing?

June 12, 2009 // Dennis Van Staalduinen 2 Comments

twitter-home-pageOkay, dosage confession time. As an emerging Twitter devotee, page (@denvan) I’ve been “drinking the Kool-Aid” of the Twitter brand for too long to really be objective about their brand strategy. I’m a tribe member now, viagra 100mg and I’ve learned the buzzwords, tools, and idiosyncrasies of this social media monster. But as a brand strategy geek, I also hear rumblings of trouble in the Twitterverse that I can’t ignore…

As I encounter more and more fellow “tweeps” (a word about insider language later) and have the same old “what the heck is Twitter GOOD for” conversation, the more I begin to wonder about different aspects of the Twitter brand package – are the elements holding together? Do they make sense? Could this be why we learned yesterday that Twitter’s growth is flat-lining and more than 50% of Twitter accounts are dead? Perhaps.

But let’s start with the good stuff.

What I love about Twitter Branding:

Basically, the thing I like about Twitter is the thing that may kill it in the end: it’s rough around the edges.

Twitter gained my instant affection by making absolutely NO attempt to be slick or professional – in design, messaging, or corporate positioning. The graphics are simple and inviting in a cartoonish-but-zen-elegant way that gives the site class tempered with a sense of humour. Nothing arty farty-highbrow or in-your-face revolutionary here.

Scroll down to the bottom of any twitter.com page and click on About Us and you get the feeling that this thing started in somebody’s garage in 2006, and that they’re hoping to stay there. The main login page is a study in simplicity with only 183 characters in the main body copy (note to Twitter: I could help you get this down to 140. I’m getting REALLY good at that!).

“Twitter is a service for friends, family, and co–workers to communicate and stay connected through the exchange of quick, frequent answers to one simple question: What are you doing?”

Aw shucks. Ain’t that nice?

The whole brand package seems to promise new users a few key things: 1) small (i.e. unintimidating – easy to grasp), 2) fun (breezy tone, quick hits of cool content perhaps) 3) free (not going to take my credit card and sucker-punch me later with weirdo fees), 4) easy (get started – and hooked – fast), 5) social (geared toward social, not “serious” conversations)… and 6) disposable (geard toward a quick pay-off for a small amount of effort).

Which brings us to the potential dark side (spoiler alert: the light sabers are about to change colour!).

The potential problem(s) with Twitter Branding

The problem with sustaining this promise can be expressed in one word: Oprah. Okay, maybe two: Oprah and Ashton Kutcher. All right, three: Oprah, Ashton, and the coming of Summer patio season to the Northern Hemisphere (now THAT’s a social network!!). The first two are problems of scale, that is, reasons for rapid viral growth, while the third is one of the non-brand factors that should lead any sane person to want to get away from the computer or Blackberry (he writes at 5:01 p.m. on a gorgeous Friday evening).

The big question for the Twitter brand is this: can it scale to meet the hype?

In early 2009, Twitter went from cool-kid buzzword to mass market sensation with over 5 million additional new visitors in March – up from 4.3M in February to 9.3M in March. And the growth continued strong into April with the addition of the Great One (Oprah not Gretzky) and the 1 Millionth follower for Kutcher – with the attendant .

And the pressures are only increasing with big serious events like the election in Iran and the attacks in Mumbai, and the pundits trumpeting the game-changing nature of the medium.

And with all that hype, came… a great big collective “HUH?!?” from the new users attracted to the platform.

Because, you see, the Twitter brand is havign trouble emerging from the basement it dug for itself. Its initial brand promises are being met with the problems of massive growth:

Promises Twitter might be breaking

1. Small: sorry Twitter. MILLIONS of users. Repeat that. MILLIONS.

2. Fun: despite the breezy graphics and light tone, Twitter is not fun until you connect with at least one other active human. But for the average newbie, Twitter.com doesn’t do a very good job of helping you understand how to make that first connection (or whay
you’d want to)…

3. Free: for now, but with the weight of so much stuff comes the time cost that mid-market adopters are more likely to factor into the equation. Business users in particular are skeptical that this isn’t just another time-waster for employees, and Twitter doesn’t help itself – starting with the name “Twitter” which is incredibly catchy and viral, but also implies empty, and possibly annoying background chatter.

4. Easy: I like and compulsively use Twitter, but even I barely ever use Twitter.com. TweetDeck and other tools are absolute necessities for anyone serious about the medium. Twitter itself may be Open API-ing itself into obsolescence unless it starts taking the user experience – and more to the point – the IMPRESSION of control that a new user needs – more seriously.

5. Social: This and all the other examples on the site imply that Twitter is just for F2F (Friend-To-Friend) communications. Sample value messages are about delving into the trivial parts of people’s lives, which, as most people find pretty quickly, is not the main content that forms the bulk of Twitter traffic. I’m finding that the most successful Tweeters mix maybe 10-20% personal with maybe 60-70% subject matter expertise and useful cross references, and the rest being current events, trivia, etc. Twitter has outgrown “What are you doing” and has crossed into the realm of “Why are we doing what we’re doing?” and “What does it mean to me?”

6. Disposable: here’s the crux of it for me. By playing up “fun” “easy” and “social” aspects, Twitter’s current brand strategy is focused on “fast-twitch” brand drivers, and missing the most important aspect of the Twitter service: that it takes time, effort, and commitment to really get anything out of the medium. New users see the firehose coming at them, and it’s no surprise they’d be tempted to go elsewhere for a drink.

So how does Twitter tune its brand package to 1) help the newbies get it and get involved, 2) make the case about the serious work values the medium can fulfill, without 3) losing the core values and emotional ties that made the brand attractive in the first place?

Or is it all just a deeper level of brilliance than this poor brand geek can grasp – after all, they’ve got the millions of devoted (and not-so-devoted) users, so something must be working.

That’s a question I throw back to you dear reader. Comment away.

Filed Under: Analysis & review, Brand Names, Brand Value, Logo, Message & Positioning, Online brands, Positioning, Retail Brands, Service Brands, Social Media, Tag Lines Tagged With: brand management, brand strategy, branding, Consumer product brands, critique of Twitter, Internet, Logo, online, positioning, Service, Social Media, tagline, Technology, Twitter, Twitter branding social media brand audit critique tweetdeck oprah ashton kutcher

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